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My Favourite Theatre of 2013

This year I saw shows in Melbourne and Sydney. The Top Ten are my favourite shows of the year, but the Next Ten are basically all in eleventh place. After a slow start to the year, the Melbourne Theatre Company’s NEON Festival kicked things into high gear – and after that, the rest of the year was full of exciting, imaginative, passionate and memorable theatre.

Note: these are listed in alphabetical order

THE TOP TEN

ANGELS IN AMERICA: MILLENNIUM APPROACHES & PERESTROIKA – Belvoir
The classic American play about AIDS in Reagan’s America in a stunning production at Belvoir.



BY THEIR OWN HAND – The Hayloft Project, Neon Festival/MTC
Hayloft shakes up Oedipus in this smart triptych.

LIFE AND TIMES, PARTS 1 to 4 – The Nature Theatre of Oklahoma, Melbourne Festival
A ten-hour epic that played out in the Playhouse, bringing an audience of 600 together to experience a life (and their own lives) in a way we’ll never forget.

NIGHT MAYBE – Stuck Pigs Squealing, Theatre Works
It’s difficult to put into words how beautiful this show was, not to mention how moving and intelligent, passionate and insightful. Theatrical perfection.



NO CHILD... – Nilaja Sun, Theatre Works
Sometimes, all you need, is one woman on stage playing a couple of dozen characters. A tour-de-force.

ROOM OF REGRET – The Rabble, Theatre Works, Melbourne Festival
And sometimes you need a maze of rooms and corridors and a strong company to lead you through their unforgettable take on Oscar Wilde’s The Picture of Dorian Gray.

SAVAGES – Forty-Five Downstairs
Patricia Cornelius’ poetic and penetrating and powerful examination of masculinity and misogyny.

THE BLOODY CHAMBER – Malthouse
A masterful stage adaptation of Angela Carter’s short story. Theatre making at the absolute top of its game.



THE MAIDS – STC
Benedict Andrews. Andrew Upton. Cate Blanchett. Isabelle Huppert. Elizabeth Debicki. Jean Genet’s The Maids. Seriously, what else needs to be said? Black comic perfection.

THE SOVEREIGN WIFE – Sixxters Grimm, Neon Festival/MTC
Declan Greene and Ash Flander’s bring their unique sensibility to an epic story of Australia. A fitting end to the Neon Festival, with a few digs at conservative theatre companies for good measure. Hilarious and biting.


THE NEXT TEN

COLUMBINE – MUST Theatre, Daniel Lammin
Daniel Lammin’s devised and verbatim meditation on the Columbine massacre. Sharp and devastating.



CONSTELLATIONS – MTC
Sometimes life turns on the words you choose to say and those left unspoken. Parallel universes and a performance for the ages from Alison Bell.

MENAGERIE – Daniel Schlusser Ensemble, Neon Festival/MTC
A tribute to Tennessee William’s work and creative process. Brilliant and untamed.

ON THE BODILY EDUCATION OF YOUNG GIRLS – Fraught Outfit, Neon Festival, MTC
An almost silent meditation on youth, puberty and the traps of a rote education.

PALACE OF THE END – Theatre Works
Three tragic monologues that take three different points of view on the American invasion of Iraq. Performances and direction, magic.



PERSONA – Fraught Outfit, Malthouse
By every right, a stage adaptation of the film Persona should not work. Adena Jacobs pulls off the impossible.

SOLOMON AND MARION – MTC
A lovely little surprise at the Melbourne Theatre Company, that didn’t need star power to pull it off.

SUMMERTIME IN THE GARDEN OF EDEN – Sixxters Grimm, Theatre Works
Southern melodrama was never so hilarious. What a cast. What a script. What a crocheted set!

SUNDAY IN THE PARK WITH GEORGE – Opera Victoria
Sondheim’s masterpiece on the creative process is precise and delicate and very moving.



THE CHERRY ORCHARD – MTC
Simon Stone is let loose at the Melbourne Theatre Company and while the arguments about adaptations continued around him, this show proved what a smart theatre maker he is.


THE HONOURABLE MENTIONS

BECAUSE OF REASONS – Five Pounds of Repertory Theatre

GYPSY – The Production Company

OTHER DESERT CITIES – MTC

ROTPETER – Butterfly Club

SHADOWS OF ANGELS – The Owl and the Pussycat

SONGS FOR EUROPE – Melbourne Fringe

STORIES I WANT TO TELL YOU IN PERSON – Malthouse

SUPER DISCOUNT – Back-to-Back Theatre, Malthouse

WHITE RABBIT RED RABBIT – Malthouse

ZOO STORY – Revolt Theatre


Note:  Before you ask, I didn’t see The Rabble’s Story of O at the Neon Festival. Probably my biggest regret of the year. I also didn’t see much at Melbourne Fringe, but that was around the time I needed a break.

Favourite Theatre of 2012

Favourite Theatre of 2011

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