Skip to main content

It Takes Two (or more viewings): INTO THE WOODS and a Sondheim Check List


I have seen three different productions of Into the Woods on stage – and I am well acquainted with the DVD of the original Broadway production. By the end of this year, there will be a feature film version – and then I can write an article comparing the five witches I’ve seen: Bernadette Peters (DVD), Rhonda Burchmore (Melbourne Theatre Company, 1998), Donna Murphy (Public Theatre NY, 2012), Queenie Van De Zandt (Victorian Opera, 2014) and Meryl Streep (feature film, 2014).

Well, no, I probably won’t do that. Each of them has their strengths and a couple of them have no weaknesses. Just as the productions overall have things that work brilliantly and other parts, not-so-much. And it’s hard to compare the lavish original, to the Public Theatre production that was staged in Central Park, to the more sparse version that Victorian Opera put on this past week.

Into the Woods is one of my favourite Sondheim shows, probably the favourite – though I have a lot of affection for Sweeney Todd, Company and A Little Night Music. I’ve only ever seen Sweeney Todd on stage once, a pro-am production in the northern suburbs of Melbourne in the late 90s. As well as the film, which – I’m glad Sondheim liked it. Oh, and the original Broadway production on DVD.

But A Little Night Music I’ve seen on stage three times: Melbourne Theatre Company (1997), Opera Australia (2009) and Broadway (2010). I haven’t seen the film version, starring Elizabeth Taylor. (And how could I possibly compare the Desirees I’ve seen? Pamela Rabe to Sigrid Thornton to Catherine Zeta Jones? I couldn’t and won’t.)

Sondheim’s shows are so rich and dense, so much detail to see and discover – I was even noticing things in Into the Woods yesterday that I don’t think I’d seen before. I suspect that comes down to actors stressing things in different ways. But it is all there to be discovered, even after watching numerous productions and the DVD multiple times.

After last year’s Sunday in the Park with George and this year’s Into the Woods, Victorian Opera is doing Sweeney Todd in 2015. I’m excited to see a full professional production of that on stage. But even more exciting is the couple of lesser-known and lesser-seen Sondheim works that have popped up in Melbourne this year: Pacific Overtures at Theatre Works this past February and later in the year, Passion at the Arts Centre Playhouse.

With those smaller works - and Magnormous’ 2010 staged readings of other obscure Sondheim work, I am close to completing the Sondheim set.


Shows by Stephen Sondheim

A list of productions, films or DVDs I’ve seen of Sondheim’s work

Saturday Night
-         Staged reading by Magnormous, 2010

West Side Story
-          Film, 1961
-          Regent Theatre, 2010
-     The Production Company, 2015

Gypsy
-          TV Movie, 1993
-         The Production Company, 2013

A Funny Thing Happened on the Way to the Forum
-          Her Majesty’s Theatre, 2012

Anyone Can Whistle
-          Staged reading by Magnormous, 2010

Do I Hear a Waltz?
-          Unseen.

Company
-          Unseen on stage. (I know!!!)
-          Broadway production 2006, DVD
-          New York Philharmonic concert, cinema & DVD

Follies
-          The Production Company, 2008

A Little Night Music
-          Melbourne Theatre Company, 1997
-          Opera Australia, 2009
-          Broadway revival, 2010
-     Film, 1977

Pacific Overtures
-          Theatre Works, 2014

Sweeney Todd
-          Original Broadway production, DVD
-          Pro/am production on stage, late 1990s               
-          Sweeney Todd in Concert 2001, DVD
-          Film, 2007
-     Victorian Opera, 2015

Merrily We Roll Along
-          Staged reading by Magnormous, 2010

Sunday in the Park with George
-          Original Broadway production, DVD
-          Victorian Opera, 2013

Into the Woods
-          Original Broadway production, DVD
-          Melbourne Theatre Company, 1998
-          Public Theatre/Shakespeare in the Park, 2012
-          Victorian Opera, 2014
-     FabNobs, 2015

Assassins
-          Broadway, 2004 (bootleg video)
-          Melbourne University, 2012

Passion
-          Arts Centre Melbourne, 2014

Bounce/Road Show
-          Unseen.

The Frogs
-          Unseen.

Anthologies

Putting It Together
-          Broadway revival 1999, DVD

Sondheim on Sondheim
-          Original Broadway production, 2010

Updated: 11/7/2015

Comments

Popular posts from this blog

My Favourite Theatre of 2018

It’s that time of year again, when I look back over everything I saw on stage and put together a list of my favourite shows. I saw over 100 shows this year, mostly in Melbourne and a small number on one visit to Sydney.

I will link to reviews if I wrote one.
TOP TEN (alphabetical order)
The Almighty Sometimes – Griffin Theatre, Sydney
Kendall Feaver’s extraordinary debut play is about Anna, dealing with mood disorders and medication and the complicated relationship she has with the treatments and her mother. Superb cast and beautifully directed by Lee Lewis
Blackie Blackie Brown – Malthouse Theatre
Nakkiah Lui’s work is always amazing but this production, directed by Declan Green, was another step up for her – the satire sharper and bleaker and more hilarious than ever before.
Blasted – Malthouse Theatre
Sarah Kane’s debut play from 1990s London is a tricky beast tackling difficult subjects but Anne-Louise Sarks nailed it with a superb production.
The Bleeding Tree – Arts Centre Melbourne

A Thing Isn’t Beautiful Because It Lasts: Avengers in the AGE OF ULTRON

The latest film in the Marvel Universe series feels like nothing so much as a season finale. And since Joss Whedon was once the master of creating season finales that were both emotionally satisfying and thematically resonant, it’s good to have him in charge for the second Avengers movie, Age of Ultron.
I’d like to compare it to the epic scope of Buffy’s “The Gift” but it feels more like Angel, if anything. Things change, the world moves on – and the best you can do is keep fighting. And embrace change.
Tony Stark has always been flawed, but by the third film in his own trilogy, he seemed to have found an emotional peace. But with that peace comes the idea that he can use his technology – his faith in machines being his tragic flaw – to create a replacement for the Avengers. He births an army of robots to calm the populace and fight alien foes.
Robert Downey Jnr’s Stark is such a towering figure in the Marvel Universe films – and to make him partly the villain of this new film is a s…

You are far away: Agent Cooper and his troubling return to Twin Peaks

“What year is this?” Dale Cooper asks in the final scene of Twin Peaks: The Return, the last of many unanswered questions left as the 18-part feature film concluded a week ago.
It’s far from the first time we’ve seen someone who looks like Dale Cooper lost for answers over recent months. But it might be the first time we have definitive proof that he’s in over his head.
Mr C, Dale Cooper’s doppelganger, who was first seen in the original series’ finale back in 1991, returned to the town of Twin Peaks with a goal in mind. Mr C was flexible, though. He had to be; he’d set so many things in motion over twenty-five years, if he’d remained fixated, he would never have come as far as he did.
Dougie, Dale Cooper’s tulpa – created by and from Mr C, wandered aimlessly through life, but slowly made every life he touched better. Plans change and Dougie changed with them. Slowly but surely, Dougie pieced together Cooper’s past life and became richer for it.
Agent Cooper, the third part of this T…