Skip to main content

Melbourne Comedy Festival: Tessa Waters - Fully Sik

Tessa Waters is Fully Sik
Tessa Waters greets every audience member with a high-five while the repetitive theme song of her shows Fully Sik plays at high volume, which is the only right way to listen to something called “Fully Sik”. Fully Sik!

Tessa is a physical performer, which is where most of the laughs come from. The show begins with her in a pillow fight with an audience member plucked from the front row. She lost the pillow fights in Adelaide, so she was hungry for a win in Melbourne. We’re on her side.

There’s no knowing where the show will go from minute to minute and the audience doesn’t care, because the show is face-achingly hilarious from minute one. From high fives, through the audience sharing a joint, past a beautiful rendition of a bush po-em called “I Fucking Love Opals”, there’s no knowing what Tessa will hit you with next.

Her mostly silent sketch comedy is a real treat. A Woman Goes To Work On Her Period is mime but as she broadly exclaims at the end, it’s “issue-based comedy”. And we’re with her on that. A Woman Takes A Bottle Of Wine To A House Party is brilliant in how she fully commits to the scenario and what a pay-off.

There’s a lot of audience interaction in Fully Sik but don’t let that scare you. The space is intimate, the party is wild and Tessa will make you feel comfortable whatever happens. Even if she leaves your head spinning at the end.


Tessa Waters is sik but is she Fully Sik? There’s really only one way to find out. Get down to the Aphrodite Room at the Greek Centre byApril 23.

Comments

Popular posts from this blog

My Favourite Theatre of 2018

It’s that time of year again, when I look back over everything I saw on stage and put together a list of my favourite shows. I saw over 100 shows this year, mostly in Melbourne and a small number on one visit to Sydney.

I will link to reviews if I wrote one.
TOP TEN (alphabetical order)
The Almighty Sometimes – Griffin Theatre, Sydney
Kendall Feaver’s extraordinary debut play is about Anna, dealing with mood disorders and medication and the complicated relationship she has with the treatments and her mother. Superb cast and beautifully directed by Lee Lewis
Blackie Blackie Brown – Malthouse Theatre
Nakkiah Lui’s work is always amazing but this production, directed by Declan Green, was another step up for her – the satire sharper and bleaker and more hilarious than ever before.
Blasted – Malthouse Theatre
Sarah Kane’s debut play from 1990s London is a tricky beast tackling difficult subjects but Anne-Louise Sarks nailed it with a superb production.
The Bleeding Tree – Arts Centre Melbourne

A Thing Isn’t Beautiful Because It Lasts: Avengers in the AGE OF ULTRON

The latest film in the Marvel Universe series feels like nothing so much as a season finale. And since Joss Whedon was once the master of creating season finales that were both emotionally satisfying and thematically resonant, it’s good to have him in charge for the second Avengers movie, Age of Ultron.
I’d like to compare it to the epic scope of Buffy’s “The Gift” but it feels more like Angel, if anything. Things change, the world moves on – and the best you can do is keep fighting. And embrace change.
Tony Stark has always been flawed, but by the third film in his own trilogy, he seemed to have found an emotional peace. But with that peace comes the idea that he can use his technology – his faith in machines being his tragic flaw – to create a replacement for the Avengers. He births an army of robots to calm the populace and fight alien foes.
Robert Downey Jnr’s Stark is such a towering figure in the Marvel Universe films – and to make him partly the villain of this new film is a s…

You are far away: Agent Cooper and his troubling return to Twin Peaks

“What year is this?” Dale Cooper asks in the final scene of Twin Peaks: The Return, the last of many unanswered questions left as the 18-part feature film concluded a week ago.
It’s far from the first time we’ve seen someone who looks like Dale Cooper lost for answers over recent months. But it might be the first time we have definitive proof that he’s in over his head.
Mr C, Dale Cooper’s doppelganger, who was first seen in the original series’ finale back in 1991, returned to the town of Twin Peaks with a goal in mind. Mr C was flexible, though. He had to be; he’d set so many things in motion over twenty-five years, if he’d remained fixated, he would never have come as far as he did.
Dougie, Dale Cooper’s tulpa – created by and from Mr C, wandered aimlessly through life, but slowly made every life he touched better. Plans change and Dougie changed with them. Slowly but surely, Dougie pieced together Cooper’s past life and became richer for it.
Agent Cooper, the third part of this T…