Skip to main content

Melbourne Comedy Festival – Annie Louey: Butt Donut



For a festival that most punters think of as a long line-up of stand-up comedians, the percentage of stand-up shows I’ve seen this Comedy Festival has been pretty low. I actually wonder if traditional stand-up has a degree of difficulty that makes it tougher than other kinds of comedy shows; fifty minutes of a performer and a microphone - a style we’ve seen so many times.

Annie Louey stands out in the stand-up crowd because she is a young woman with Asian heritage who can mine her background for rich stories of culture clashes and dramatic stories of life and death. This Aussie Chinese Millennial has some great tales to tell in a refreshing, honest style.

Annie can make you laugh about young love, travelling the world, her snake-soup-making Chinese family and their surprise that this Aussie girl can use chopsticks. She also has some pretty dramatic stories about fainting into a fire and the passing of her elderly father. But she finds humour in these dark moments, too.

I was a bit lost with some of the pop culture references she was making, but I guess the generation gap makes that kind of thing inevitable. And she was so old when she got her first computer – 12. Back in my day, kids didn’t get computers until much later. But that difference in perspective is what makes this show really special.

Butt Donut isn’t polished, though. Annie is still finding her way, even after seasons in Perth and Adelaide. But the material is there and when she grows in confidence, Annie will be one to watch out for.

Comments

Popular posts from this blog

My Favourite Theatre of 2018

It’s that time of year again, when I look back over everything I saw on stage and put together a list of my favourite shows. I saw over 100 shows this year, mostly in Melbourne and a small number on one visit to Sydney.

I will link to reviews if I wrote one.
TOP TEN (alphabetical order)
The Almighty Sometimes – Griffin Theatre, Sydney
Kendall Feaver’s extraordinary debut play is about Anna, dealing with mood disorders and medication and the complicated relationship she has with the treatments and her mother. Superb cast and beautifully directed by Lee Lewis
Blackie Blackie Brown – Malthouse Theatre
Nakkiah Lui’s work is always amazing but this production, directed by Declan Green, was another step up for her – the satire sharper and bleaker and more hilarious than ever before.
Blasted – Malthouse Theatre
Sarah Kane’s debut play from 1990s London is a tricky beast tackling difficult subjects but Anne-Louise Sarks nailed it with a superb production.
The Bleeding Tree – Arts Centre Melbourne

Melbourne Fringe: The Mission by Tom Molyneux

The widespread use of Acknowledgement of Country throughout the theatrical community is a good reminder that we live and work and tell stories on a land that has been home to Australia’s Indigenous people for forty-thousand years. Any Fringe show presenting work on the lands of the Wurundjeri people in the Birrarung are continuing a very long tradition.
Performer Tom Molyneux’s Acknowledgement of Country feeds directly into the story of The Mission; “sovereignty has never been ceded” is a strong jumping-off point for a story about our Indigenous population’s autonomy.
This personal history begins thirty-thousand years ago at the forming of Budj Bim, a volcano in Western Victoria. The Budj Bim area is a very important one to the Gunditjmara people, a site where they developed a system of aquaculture, thousands of years before European settlement.
After European settlement, it was the site of Eumerella Wars, where the Gunditjmara were overwhelmed and killed by colonisers who had the su…

Melbourne Fringe: Sleepover Gurlz by Emma Smith & Vidya Rajan

Theatre can happen anywhere. It can happen in big rooms, small rooms, warehouses, carparks and shipping containers. I saw a show on the streets of North Melbourne once. And one in the back of a car.
Sleepover Gurlz isn’t the first play I’ve seen performed in a bedroom, but this one uses its space and its premise to great effect; the intimacy is vital and this show is as much about the bedroom space as it is about the women sharing it.
Before the show, the audience is ushered upstairs to a living area to colour and paste and find their inner child. It’s an irresistible moment of pleasure that you almost regret being dragged into the bedroom for the party itself.
Creators and performers Emma Smith and Vidya Rajan are six-year-old girls, welcoming the audience to their sleepover party. We are the other girls at the party, sharing snacks and interacting with the friends who have invited us over. It’s charming and funny and silly. There’s a game of “Chinese whispers” and the uninhibited th…