REVIEW: Gunawarra Re-Creation by Isobel Morphy-Walsh – Ilbijerri Theatre Company

A young woman, Murran (Miela Anich), and her exasperated mother, Roo (Melodie Reynolds-Diarra), are wandering through the bush, looking for a nearby river. There’s some tension between them, but it feels so much like any tired mother lagging behind, while their enthusiastic child wants to run ahead. Soon, though, it’s clear that there’s much to be mended between these two. And between both of them and the Country they are on.

Gunawarra Re-Creation by Isobel Morphy-Walsh was first produced in collaboration with Melbourne Theatre Company two years ago, as part of a night of theatre by First Nations women, titled Blak in the Room. The original production was directed by Rachael Maza, the long-time Artistic Director of Ilbijerri Theatre Company.

This time around, back at MTC’s Lawler Theatre, the remount is directed by Ilbijerri’s new Artistic Director, Yorta Yorta and Gunaikurnai woman, Andrea James.

Against the backdrop of Dann Barber’s evocative set, Morphy-Walsh and James conjure a tale tackling the conflict between tradition and modern life. A simple but powerful play about three generations of women, including Aunty Aggie (Lisa Maza), and the story of Gunawarra – the black swan, played by Hannah Morphy-Walsh.

Movement consultant, Zoë Brown-Holten, helps all four actors with subtle, graceful movements that suggest a flock of birds. Hannah Morphy-Walsh’s portrayal of the black swan is beautifully realised; dancerly movements creating the spread and turn of the wings or the head. Movement is central to all the performers, though. The moment Murran and Roo lower themselves into the water feels so real, enhanced by Katie Sfetkidis’ painterly lighting.

Miela Anich’s work on Melbourne stages recently – both main and indie – has been so thrilling and vital, and her performance as Murran here is captivating. The character struggles with her family history and her relationship to Country, and we are fully invested in her journey because of Anich’s layered performance. Cheekiness and thoughtfulness run across the character’s face in equal measure.

The supporting cast is strong, too. Reynolds-Diarra’s is great as mum, Roo, but her quick appearance as a coloniser therapist, is hilarious. Maza’s Aunty Aggie is full of wisdom and a lot of fun. Morphy-Walsh is a real revelation as Gunawarra.

For a show that runs just under an hour, it’s rich and thoughtful in ways that some much longer shows never reach. The combination of a deep love of Country and history, story and song, reverberates throughout Gunawarra Re-Creation. A second outing is never guaranteed for any show, so it’s a real treat that this gem has returned.

- Keith Gow, Theatre First

Gunawarra Re-creation is playing at the Lawler Theatre in Narrm/Melbourne until July 11 and then travels to Djilang/Geelong for July 17 and 18 and then tours to QPAC in Meanjin/Brisbane in early August

Photography: Jacinta Keefe

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