Much like Malthouse’s production of Picnic at Hanging
Rock, this new version of Wake in Fright feels urgent and relevant
and a response to both the classic film and the novel – as well as an
interrogation of our view of those texts and ourselves as Australians. Adapting
the story into a one-woman performance starring Zahra Newman gives us a whole
new context through which to examine the work.
“Where are you from?” is a kind of benign question on the surface. It suggests interest, but is really a kind of microaggression for non-white citizens of Australia. Zahra explains to us, before the show starts (but it has already started), that an Uber driver asked her this question recently and her response was to ask where he was from.
“Broken Hill” was his response. The name evokes the kind of town that Wake in Fright is set in – rural, mining, remote. And Zahra has her own thoughts on the place and a story of poisoned children she read about – a truth the Uber driver didn’t want to acknowle…
“Where are you from?” is a kind of benign question on the surface. It suggests interest, but is really a kind of microaggression for non-white citizens of Australia. Zahra explains to us, before the show starts (but it has already started), that an Uber driver asked her this question recently and her response was to ask where he was from.
“Broken Hill” was his response. The name evokes the kind of town that Wake in Fright is set in – rural, mining, remote. And Zahra has her own thoughts on the place and a story of poisoned children she read about – a truth the Uber driver didn’t want to acknowle…