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Showing posts from December, 2018

My Favourite Theatre of 2018

It’s that time of year again, when I look back over everything I saw on stage and put together a list of my favourite shows. I saw over 100 shows this year, mostly in Melbourne and a small number on one visit to Sydney.

I will link to reviews if I wrote one.
TOP TEN (alphabetical order)
The Almighty Sometimes – Griffin Theatre, Sydney
Kendall Feaver’s extraordinary debut play is about Anna, dealing with mood disorders and medication and the complicated relationship she has with the treatments and her mother. Superb cast and beautifully directed by Lee Lewis
Blackie Blackie Brown – Malthouse Theatre
Nakkiah Lui’s work is always amazing but this production, directed by Declan Green, was another step up for her – the satire sharper and bleaker and more hilarious than ever before.
Blasted – Malthouse Theatre
Sarah Kane’s debut play from 1990s London is a tricky beast tackling difficult subjects but Anne-Louise Sarks nailed it with a superb production.
The Bleeding Tree – Arts Centre Melbourne

"In love with night..." and twilight: Melbourne Shakespeare Company's ROMEO & JULIET

Two households, both alike in dignity, in fair St Kilda, where we lay our scene… 

In amongst the rose bushes of the St Kilda Botanical Gardens, two families are at each other’s throats and two lovers are falling for each other. The audience is separated into two halves, like the congregation at a wedding – one side the Montagues, one side the Capulets.
We are welcomed by a pair of Friars, Laurence and Mary, and a small band of musical players – a trumpeter, a pianist and a third on banjo. A rotunda sits in the middle of the garden and is the main focus of the performance space for Melbourne Shakespeare Company’s Romeo & Juliet.

Outdoors in Melbourne can bring all sorts of drama, especially in the transition between seasons. Yes, it’s summer now, but the city can threaten storms even after blisteringly hot days. Sunday was mostly overcast and threatened to rain – and that was the backdrop when we sat down for this production on Sunday evening. The sun was two hours from setting, …