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Showing posts from November, 2011

Theatre Person

If you somehow missed me plugging this on Facebook or Twitter, there's a profile of me and my writing at Theatrepeople.com.au And I'm in very good company on that list of Latest Content.

Poetry, Fire, Cabaret & Bombshells: Two Weeks of Theatre-Making and Theatre-Going

"Imagine if Rowling dropped with Goblet of Fire , we'd all have lost the plot..." Props from Poems a Dead Boy Wrote The last two weeks have been a blur, so much so that I keep forgetting it’s November. And November is almost half over. Short & Sweet Melbourne has come and is almost gone. Tonight is the Gala Finale, featuring 11 under-ten-minute pieces starring and written by and directed by some of the most talented people working in Melbourne’s independent theatre today. Unfortunately, my piece Poems a Dead Boy Wrote failed to make the final – for which I am most disappointed for Nicole Bilson, who did an amazing job as Jane, a woman grieving the loss of her boyfriend. I am really proud of the piece – a monologue – and so thrilled Nicole was on board for the production. I got some really great (and useful) feedback from friends and colleagues through the five-show run – and as always, Short & Sweet is amazing for meeting new people and for putti

What if this character was a woman? Making important writing choices

Sigourney Weaver as Lt. Ellen Ripley - a character originally conceived of as a man “Write what you know” is a frequently repeated, important early lesson for novice writers. On the face of it, it seems like basic common sense; you can’t write about what you don’t know. You can’t write something that feels true, if you don’t know the truth of it yourself. On a deeper level, it really means – write what you understand, write what you feel. Don’t just write about your life (that’s an easy trap to fall into and very difficult to make work as a young writer), but write about your experience through characters you create. Characters who are part you, part other people you know and part creation/reaction/relation to the world. I wrote a short play once (it never really worked as a short; it might be a full length one day) about three people penning a speech for the commander of the first manned mission to Mars. The three characters were the White House Communications Director