Keith Gow, Writer

“Moss and lichen carpet the corners of cracked paving along the periphery of the site, and all around Pomona is a defiant hive of life that has thrived on the urban decay that came before.” -Pomona: The lost island of Manchester, The Guardian,7th August, 2014
In the space where Salford, Trafford and Manchester meet, there’s an island that was once home to thriving docks; it now sits overgrown, graffitied and abandoned.
In Alistair McDowall’s 2014 play, Pomona, after the island, itself named for the Roman goddess of fruit trees, it is owned by a man named Zeppo and guarded by a man named Charlie. And that urban decay attracts a variety of other characters from the fringes of Manchester society.
Ollie comes to the city looking for her sister, but the truth of what has happened to her becomes more and more unclear the closer Ollie gets to the centre of the story. And the audience is kept off balance by the shifting narrative focus and slippery characters, all of whom are trying to cover t…

Where we you on September 11th, 2001? What were you doing when you heard the news? What do you remember of that day? Of the next day and the week that followed?
After the attacks on the World Trade Centre in New York and the Pentagon, the United States closed its airspace for the first time ever – and many planes headed for America were diverted to a small town with a large airport on the island of Newfoundland in Canada. On a normal day, the airport in Gander would welcome half a dozen planes. On September 11, 38 planes with nearly 7000 passengers landed there. Welcome to The Rock.
I had read about the town of Gander at the time – about the people of the town who pitched in to help these “come from aways” and of those people who were landed there for several days, stuck between where they boarded and where they were headed. And Gander airport itself has a fascinating history, once being a mandatory stop between North America and Europe in the days before planes could fly that distan…

Arriving on a space station orbiting the planet Solaris, Kris Kelvin (Leeanna Walsman) is confronted by beings who are almost human, while digging through the digital archives of Dr Gibarian (Hugo Weaving), who recently died. She must try to understand what these creatures are and what other mysteries lie on the planet below, under the roiling oceans that cover its surface.

Like the Malthouse’s other current production, Wake in Fright, David Grieg’s new play is based on a novel that has also previously been a film. In fact, Stanislaw Lem’s book has been adapted into two films, several operas and a play or two before this. It’s no surprise that it would inspire great filmmakers and playwrights to bring their own versions to life; alien entities, memory and lost loved ones are all rich elements with which to explore the themes of loneliness and otherness.
Designer Hyemi Shin creates a cool, minimalist environment that’s efficiently modular; its swiftly moving doors and sliding panels e…